“Gatiskill is enormously gifted. . . . [Veronica] is a masterly examination of the relationship between surface and self, culture and fasion, time and memory..” –The New York Times Book Review

“Twisted, beautiful, grotesque, graceful, and exceedingly well-executed. People write their whole lives in the hope of coming up with just one sentences that rises to the level of this book.”–The Sunday Oregonian

“Gaitskill taps into a deeper vein of emotional force, and with vivid language and an absorbing architecture, she delivers her most affecting, sophisticated work to date.”–The Boston Globe

“Beautiful, devastating. . . . Gaitskill devotes almost religious attention to language and to our failure to make our lives as grand as the art we love. There are paragraphs like poems in Veronica that lure you back, over and over.” –Elle

"Gaitskill writes so radiantly about violent self-loathing that the very incongruousness of her language has shocking power." – Janet Maslin, The New York Times

"Sensuous and precise...Veronica captures the nexus between the erotic glamour [of the 1980's] and its epic heartlessness." –Entertainment Weekly

"Gaitskill has written a novel that will leave you shaking and joyful simultaneously, dizzy with the proximity of private terror and bottomless hope."–O Magazine

"Gaitskill writes from the gut . . . [Her] characters bleed, sweat, cry, and they experience sadness, anger and love as much as a physical sensation as an emotion." –San Francisco Chronicle

"Gaitskill's style is gorgeously caustic . . . Her ability to capture abstract feelings and sensations with a prescise and unexpected metaphor is a squirmy delight to encounter in such abundance." –Heidi Julavits, Pubishers Weekly

“[Veronica] creates an atmosphere, provokes a response, and suffuses us with an emotion that we can easily, all too easily, summon up. It's art that you can continue to see even with your eyes closed." –Francine Prose, Slate

Mary Gaitskill is most recently the author of Because They Wanted To, which was nominated for the PEN/Faulkner Award in 1998. Her stories and essays have appeared in The New Yorker, Harper’s Magazine, Esquire, The Best American Short Stories (1993), and The O. Henry Prize Stories (1998). Her story “Secretary” was the basis for the film of the same name. The recipient of a Guggenheim Fellowship, she teaches creative writing at Syracuse University. She lives in New York.